Music and audio

Entry in footnotes

33. Composer/Performer, Title of Recording, Label & publisher number, date, format.

For example - footnotes

33. Pink Floyd, Delicate Sound of Thunder, CBS 4631612, 1988, compact disc.

Entry in bibliography

Composer/Performer. Title of Recording. Label & Publisher number, date, format.

For example - bibliography

Pink Floyd. Delicate Sound of Thunder. CBS 4631612, 1998, compact disc.

Style notes

• See Manual 14.263.
• Italicise the official title of the album, but individual track titles should be included in quotation marks (Manual 8.197).
• If the performer or conductor (or similar) is more relevant than the composer, they may be listed first.
• Include any information about the work that is relevant, including performers, conductors, performance dates, medium and publisher details.
• For the date, include the date of the recording, the copyright date or published date included with the recording. If a date cannot be found consult a library catalog or other resource; citations without a date are generally unacceptable. If no date can be found, use “n.d.” (for no date).
• Sound recordings should be grouped under an appropriate subheading in the bibliography (see Chicago Manual, chapter 14.263 and 14.63).

Entry in footnotes

41. Composer, Title, Details of recording, format, Label & Publisher number, year, Source of file/URL.

OR

34. "Track title," format, track number on Composer, Title, details of recording, Label & publisher number, year, Source of file/URL.

For example - footnotes

First entry:

41. Philip Glass, The Hours/Distant Figure, Anton Batagov (piano), MP3 audio, Orange Mountain Music, 2018, iTunes.

Second and subsequent entries:

55. Glass, The Hours/Distant Figure.

OR

First entry:

34. "An Unwelcome Friend," MP3 audio, track 5 on Philip Glass, The Hours/Distant Figure, Anton Batagov (piano), Orange Mountain Music, 2018, iTunes.

Second and subsequent entries:

56. Glass, "An Unwelcome Friend."

Entry in bibliography

Composer (Surname, First name). Title. Details of recording. Label & Publisher number, year, format. Source of file/URL.

For example - bibliography

Glass, Philip. The Hours/Distant Figure. Anton Batagov (piano). Orange Mountain Music, 2018, MP3 audio. iTunes.

Style notes

• See Manual 14.263.
• Italicise the official title of the album, but individual track titles should be included in quotation marks (Manual 8.197).
• If the performer or conductor (or similar) is more relevant than the composer, they may be listed first.
• Include any information about the work that is relevant, including performers, conductors, performance dates, medium and publisher details.
• Include the name of the download service as part of the citation. If a separate URL can be determined from the source, include that at the end.
• For the date, include the date of the recording, the copyright date or published date included with the recording. If a date cannot be found consult a library catalog or other resource; citations without a date are generally unacceptable. If no date can be found, use “n.d.” (for no date).
• Sound recordings should be grouped under an appropriate subheading in the bibliography (see Chicago Manual, chapter 14.263 and 14.63).

Entry in footnotes

21. "Track title", streaming service, track number on Composer, Title, Label & Publisher number, year, URL (if available).

OR

33. Composer, Title, streaming service, Label & Publisher number, year, URL (if available).

For example - footnotes

First entry:

21. "So What," Spotify, track 1 on Miles Davis, Kind of Blue, Columbia, 1959, https://open.spotify.com/track/4vLYewWIvqHfKtJDk8c8tq.

Second and subsequent entries:

55. Davis, "So What."

OR

First entry:

33. Miles Davis, Early Milestones: Original Recordings 1945-1949, Naxos Music Library, Naxos Jazz Legends, 2002.

Second and subsequent entries:

45. Davis, Early Milestones.

Entry in bibliography

Composer (Surname, First name). "Track title." Track number on Title. Details of recording. Label & Publisher number, Year, streaming service. URL (if available).

OR

Composer (Surname, First name). Title. Details of recording. Label & Publisher number, year, streaming service. URL (if available).

For example - bibliography

Davis, Miles."So What". Track 1 on Kind of Blue. Recorded 1959. Columbia CL 1355, Spotify. https://open.spotify.com/track/4vLYewWIvqHfKtJDk8c8tq.

OR

Davis, Miles. Early Milestones: Original Recordings 1945-1949. Naxos Jazz Legends 8.120607, 2002, Naxos Music Library.

Style notes

• See Manual 14.263.
• Italicise the official title of the album, but individual track titles should be included in quotation marks (Manual 8.197).
• If the performer or conductor (or similar) is more relevant than the composer, they may be listed first.
• Include any information about the work that is relevant, including performers, conductors, performance dates, medium and publisher details.
• Include the name of the streaming service as part of the citation. If a separate URL can be determined from the source, include that at the end.
• For the date, include the date of the recording, the copyright date or published date included with the recording. If a date cannot be found consult a library catalog or other resource; citations without a date are generally unacceptable. If no date can be found, use “n.d.” (for no date).
• Sound recordings should be grouped under an appropriate subheading in the bibliography (see Chicago Manual, chapter 14.263 and 14.63).

Entry in footnotes

Broadcast

34. "Segment title (if relevant)," Presenter, Title of program, aired Date, on Network.

Online

44. Interview subject, interview by Host, Title of program, date of publication or access, URL.

For example - footnotes

Broadcast

34. "Federation," Joel Carnegie, Music in Time, aired November 26, 2018, on ABC Classic FM.

Online

44. Meg Mac, interview by Nkechi Anele, Roots 'N All, April 16, 2018, https://www.abc.net.au/triplej/programs/roots-n-all/megmac-asos-extend-iv/9671950.

Second and subsequent entries:

45. "Federation," Music in Time.

OR

50. Meg Mac, interview by Nkechi Anele.

Entry in bibliography

Broadcast

Title. "Title of segment." Presenter. Aired date, on Network.

Online

Title. Interview subject, interview by Host. Date of publication or access, URL.

For example - bibliography

Broadcast

Music in Time. "Federation." Joel Carnegie. Aired November 26, 2018, on ABC Classic FM.

Online

Roots 'N All. Meg Mac, interview by Nkechi Anele. April 16, 2018. https://www.abc.net.au/triplej/programs/roots-n-all/megmac-asos-extend-iv/9671950.

Style notes

• See Manual 14.261 and 14.265. See also Turabian 17.8.3.2.
• The order of the citation elements may depend on the nature of the resource and on what the focus of the citation is (i.e. you may cite the director's name first if the direction of the work is your primary focus).
• Any facts relevant to identifying the item should be included (i.e. additional writers, actors, producers). See above links for examples.
• Segment titles should appear in quotation marks. Names of interview subjects should just appear in roman text.
• Bibliography entries are usually listed by title (see Turabian 17.8.3.2)
• For recordings accessed online, if there is no date of production or broadcast provided, you should include an access date prior to the URL (Manual 14.12).

Entry in footnotes

31. Name of host/s, “Title of Episode,” date posted/broadcast, in Title of Podcast, additional information, podcast, MP3 audio, duration, URL/Source of download.

For example - footnotes

First entry:

31. Fidler, Richard, "Robert Connolly's Audacious Film Adaptation of Tim Winton's 'The Turning'," September 20, 2018, in Conversations, interview by Richard Fidler, podcast, MP3 audio, 50:55, https://www.abc.net.au/radio/programs/conversations/robert-connollys-audacious-film-adaption-of-tim-wintons-the-turn/7755452.

OR

33. Roman Mars, "All In Your Head," June 10, 2015, in 99% Invisible, Episode produced by Hrishikesh Hirway, podcast, MP3 audio, 36:34, iTunes.

Second and subsequent entries:

66. "Robert Connolly's Audacious Film Adaptation."

OR

45. Mars, "All In Your Head".

Entry in bibliography

Name of host/s. "Title of Episode". Date posted/broadcast. In Title of Podcast. Additional information. Podcast, MP3 audio, duration. URL/Source of download.

For example - bibliography

Fidler, Richard. "Robert Connolly's Audacious Film Adaptation of Tim Winton's 'The Turning'." September 20, 2018. In Conversations. Interview by Richard Fidler. Podcast, MP3 audio, 50:55. https://www.abc.net.au/radio/programs/conversations/robert-connollys-audacious-film-adaption-of-tim-wintons-the-turn/7755452.

OR

Mars, Roman. "All In Your Head." June 10, 2015. In 99% Invisible. Episode produced by Hrishikesh Hirway. Podcast, MP3 audio, 36:34. iTunes.

Style notes

• See Manual 14.267 and Turabian 17.10.3.3.
• A podcast or series title should be italicised. An individual podcast episode should be placed in quotation marks (see Manual 8.189).
• If no date can be determined from the source, include an access date.
• Where actual names are used, invert the names of the first named person only in bibliography.
• Different sources will provide more or less information about the item. Any facts relevant to identifying the item should be included, for example the name of a YouTube channel or where and when it was recorded.
• If the material is a recording of a performance, or is a digitised version of pre-existing material, you should also include information about the original source. The order of these entries may depend on the information available.
• Use a permanent URL wherever available, otherwise list the source of the download.

Entry in footnotes

10. Composer, Title of Score (Place of publication: Publisher, year), page number(s).

For example - footnotes

First entry:

10. Igor Stravinsky, Rite of Spring (London, England: Hansen House, 1975), 3.

Second and subsequent entries:

31. Stravinsky, Rite of Spring, 4.

Entry in bibliography

Composer. Title of Score. Place of publication: Publisher, year.

For example - bibliography

Stravinsky, Igor. Rite of Spring. London, England: Hansen House, 1975.

Style notes

• See Manual 14.255.
• Published musical scores are treated in the same way as books. Additional information such as an editor's name or additional writers may be included where relevant (see Manual 14.104).
• Many musical works are known by their generic names, such as 'Symphony no. 1' or 'Sonata in A major', while some have descriptive or popular names (such as 'Eroica' or Danse Macabre). See Manual 8.194, 8.195 and Turabian 22.3.2 for guidance on whether titles should be italicised, in quotation marks or neither.
• Specify the edition if it is not the first edition.
• In the bibliography (but not the footnotes), invert the name of the composer (i.e. surname, given name).
• Page numbers are not given in the bibliography entry.
• Use the shortened form for second and subsequent footnotes.

Entry in footnotes

31. Composer, Title of Work, ed. Editor name (Place of publication: Publisher, Year), URL/DOI/Database name.

For example - footnotes

First entry:

31. Modest Mussorgsky, "Reverie," in Complete Collected Works, ed. Pavel Lamm (Moscow: Muzgiz, 1939), https://imslp.org/wiki/Reverie_(Mussorgsky%2C_Modest).

OR

44. Heather Frasch, Collage (Paris: BabelScores, 2011), BabelScores Contemporary Music Online.

Second and subsequent entries:

45. Mussorsky, "Reverie."

OR

55. Frasch, Collage.

Entry in bibliography

Composer (Surname, First name). Title of Work. Edited by Editor. Place of publication: Publisher, Year. URL/DOI/Database name.

For example - bibliography

Mussorgsky, Modest. "Reverie" in Complete Collected Works. Edited by Pavel Lamm. Moscow: Muzgiz, 1939. https://imslp.org/wiki/Reverie_(Mussorgsky%2C_Modest).

OR

Frasch, Heather. Collage. Paris: BabelScores, 2011. BabelScores Contemporary Music Online.

Style notes

• Online music scores are treated in the same way as electronic books. The URL/DOI should be the last part of the full citation. See Manual 14.159, 14.160 and 14.161.
• Many musical works are known by their generic names, such as 'Symphony no. 1' or 'Sonata in A major', while some have descriptive or popular names (such as 'Eroica' or Danse Macabre). See Manual 8.194, 8.195 and Turabian 22.3.2 for guidance on whether titles should be italicised, in quotation marks or neither.
• Sometimes a suitable URL is not available, or is only for subscribers of the database. In these cases it is appropriate to just include the database name (i.e. BabelScores) (Manual 14.161).
• Include an editor's name wherever possible. This helps identify particular versions of a work.
• Any facts relevant to identifying the item should be included. It is not appropriate to just include the URL.
• DOI stands for 'digital object identifier' and provides a permanent and stable link to a resource. Use this in place of a URL where it exists.
• If no date can be determined from the source, include the date the material was last accessed.

Musical examples may be included to support a point in your essay. They must be incorporated into the text and include:

1. An example number,
2. A caption identifying where it is from, and
3. An accompanying footnote and bibliography entry indicating where the excerpt has been taken from.

All examples must also include clefs, key and time signatures, instrumentation and bar numbers.

Example and caption

Captions are generally placed above the example rather than below. See Figure 3.5 in the Chicago Manual for an example.

Example number. Composer Surname, “Title of individual piece or section”, from Title of Work, Bar numbers of excerpt. ^{[Footnote marker]}

For example - caption

Example 5. Debussy, “Prelude III”, from Preludes for Piano: Book 1, Bars 1-4.²

OR

Example 8. Lim, Anactoria: For Six Percussionists, Bars 7-8.⁷

Examples as they would appear in the text

Entry in footnotes

Each example and caption must have an accompanying footnote.

22. Composer's full name, "Title of Individual Work or Section" in Title of work or volume, ed. Editor name (Place of publication: Publisher, year), page number(s).

For example - footnotes

First entry:

2. Claude Debussy, "Prelude III" in Preludes for Piano: Book 1, ed. Roy Shepherd (Melbourne: Allans Music Australia, 1969), 7.

OR

7. Liza Lim, Anactoria: For Six Percussionists (Milan, Italy: Ricordi, 1998), 2.

Second and subsequent entries:

36. Debussy, "Prelude III", 7.

9. Lim, Anactoria, 2.

Entry in bibliography

Each musical example must have an accompanying bibliography entry indicating where the example was taken from.

Composer Surname, First name. Title of volume or work, edited by Editor name. Place of publication: Publisher, Year.

For example - bibliography

Debussy, Claude. Preludes for Piano: Book 1, edited by Roy Shepherd. Melbourne: Allans Music Australia, 1969.

OR

Lim, Liza. Anactoria: For Six Percussionists. Milan, Italy: Ricordi, 1998.

Style notes

• Published musical scores are treated in the same way you would treat a book. See Manual 14.255.
• Where possible, you should take examples from the complete scores or collected editions. If you use an example from a secondary source (ie. from another article or book), you should include the secondary source in your footnote and bibliography.
• Captions should be placed above the musical example and include an example or figure number.
• Examples should be discussed within the text and be referred to by their number.
• Examples should be placed as closely as possible to the paragraph in which they are discussed.
• More information on how to incorporate music examples into your writing can be found in the Incorporating Music Examples resource form Academic Skills.

The citation of liner notes accompanying audio recordings is not dealt with comprehensively in the Chicago Manual of Style, apart from a brief note in the Q&A section. The following guidance incorporates this advice but also includes some interpretation based on examples provided for sound recordings and supplementary information.