In 2013, the music publisher Éditions de l’Oiseau-Lyre (Lyrebird Press), established by Louise Hanson-Dyer in 1932, closed and its archive came to the Louise Hanson-Dyer Music Library at the University of Melbourne, where it is now a part of the Rare Music collections.
The archive includes business records and correspondence, including letters from leading composers, artists and writers. There are also personal papers, Louise Hanson-Dyer’s memorabilia, her own library and some artworks. The archive features a “President’s Collection”, comprising one copy of almost every one of the Press’s print publications; a substantial collection of manuscript scores, many in the composer’s hand; and printed scores and performance parts. There are also 78 and 331/3 rpm audio recordings, publication proofs and press clippings.
The Editions de l’Oiseau-Lyre archive promises significant new insights into one of the twentieth-century’s most important music publishing houses and is an important resource for researchers.
Cataloguing the archive
Cataloguing of the collection is underway in a number of areas and will be discoverable as work on each series (or sub-collection) is complete or substantially complete. The first to be completed was “Music for performance and publication”, now available through the Library catalogue. Music manuscripts include those in the hands of Canteloube, Daniel-Lesur, Glanville-Hicks, Ibert, Ikonomov, Koechlin, Landré, Milhaud, Oubradous, Sauguet and Sutherland. You can view a description of the entire series and detailed catalogue records have been prepared for each of the 266 items.
Considerable progress has also been made in cataloguing Editions de l’Oiseau-Lyre’s reference library, with work on the “President's collection” and Louise Hanson-Dyer's personal library about to begin.
During the first half of 2016 an archivist worked intensively on the Editions de l’Oiseau-Lyre archive making detailed listings of fifteen series of records and re-housing much of the collection. These series include “Musicians’, writers’ and artists’ letters”, “Louise Hanson-Dyer photographs, artworks and memorabilia”, “Business records and personal papers of Louise Hanson-Dyer” and “Editorial and administrative records”; they promise to be a rich resource for researchers. The listings are accessible through the University of Melbourne Archives catalogue and also online. For further information please contact the Curator, Music.