These Collection Development Guidelines provide a framework for future collection development priorities, by purchase and gift, in Special Collections (Rare Books, Rare Music, Prints) and the Grainger Museum
The Collection Development Guidelines outline the history and strengths of the Special Collections and Grainger Museum’s collections in broad terms, and how these strengths will inform future collection development. The guidelines are intended as a tool to assist decision making and are dependent on collaboration between Library staff, academics, students and faculty.
The Director, Research and Collections is responsible for these guidelines and their periodic review.
3. Related documents
4. Guidelines for Acquisition
Acquisitions for the Special Collections and Grainger Museum Collection should comply with the Collection Development Process and the guidelines outlined in Giving to the Library
Decisions for purchase or accepting donation will also be informed by:
- existing strengths in the collections
- identified gaps
- areas for development in support of the curriculum, the object-based learning program, current research activity and exhibitions
- duplication of items in the region, i.e. at other Victorian Universities and the State Library of Victoria
5. Description of Special Collections and Grainger Museum Collection
5.1. Rare Books
Rare Books comprises around 220,000 historic and unique volumes, journals and ephemera, covering the period from the 12th to 21st centuries. Works are included in the collection by reason of their age, value or uniqueness, and include items of special provenance or ownership, limited editions and historic bindings. The great richness and depth of the collection has been built upon the generosity of several major benefactors - George McArthur, J. Orde Poynton, Frederick Morgan and Ian McLaren amongst others – reflecting the vision of their individual and diverse collecting interests.
Strengths of the collection include Australiana, Book arts and history, Children’s Books, Early scientific and medical works, English literature, Greek and Roman classics, Social and political thought and University of Melbourne material. Other highlights include the world class holdings of literary editions by Sir Walter Scott and Lord Byron, a nationally significant collection of early Middle Eastern manuscripts, the fine printings of notable private presses (such as Kelmscott and Ashendene), and an excellent teaching collection of medieval manuscripts in facsimile.
Examples of some significant works held are Piranesi, Collection of folio works, 1761-1807; Colonna, Hypnerotomachia Poliphili, 1499; Mr William Shakespeare’s comedies, histories and tragedies (Second folio) 1632; Hooke, Micrographia, 1655; John Gould, The birds of Australia, 1848 and the Mammals of Australia 1863; Latin Bible Mainz: Peter Schoeffer 1472; Parler seul : poème Tristan Tzara and Joan Miró 1950, Dlia Golosa. Mayakovsky, Vladimir and El Lissitzky 1923.
Future collecting will concentrate in three main areas: enhancing existing strengths by acquiring rare and early editions, and works by influential authors, which are not already held; by filling individual gaps in the collection where these are known or exposed; and by building representative selections of rare materials which support the university’s evolving teaching priorities.
In addition to these general guiding principles, there are several areas with potential for future growth. Additions of significant or new areas requiring development include 18th-20th century literary first or early editions, material documenting key developments in science, engineering and technology, items relating to the book arts (including plate books, private press and the modern illustrated book) and history of the book, major historical works in modern fields of enquiry such as economics, sociology and international relations and important Australian material.
5.2. Print Collection
The University’s Print Collection includes over 8,000 individual prints and also print albums, drawings, paintings and books. Its principle aim is to be representative of Western printmaking practitioners and techniques (relief, intaglio and planographic) dating from the 15th to the 19th century, but it also includes examples from the 20th and 21st century. It was established in the Baillieu Library in 1959 through the gift by Dr John Orde Poynton of approximately 3,700 Old Master prints dating from 1460 to 1850. Works of art by high caliber artists such as Albrecht Dürer, Jacques Callot, Rembrandt van Rijn and William Hogarth were included in this major gift. The important Sadeler albums, which were collected by Elizabeth Seymour Percy Northumberland, were purchased in 1962. The collection was further enhanced in 1964 with Harold Wright’s bequest of half his Lionel Lindsay print collection and prints by Lindsay’s British contemporaries. The primary role of the collection is its purposeful and rich resources for teaching, research and exhibition.
Identified gaps and areas for growth are concerned with enhancing the depth of techniques and practitioners dating from the 15th to 19th centuries for art historical and curatorial studies. These prints include early experiments from the 15th century, 16th century etchings, 18th century French prints and early lithography. In addition, the collection needs to be relevant to other aspects of curriculum such as, indigenous visual arts, and develop further object based programs such as print culture and economics.
5.3. Rare Music
The Rare Music collection comprises music manuscripts, printed scores, books, archival collections—large and small—and other music-related materials that are rare, and in some cases unique. Previously part of the music library, Rare Music transferred to Special Collections in 2015. Some of the collection dates from the period when the University’s Conservatorium of Music was first established over 120 years ago, but after many donations and strategic acquisitions, Rare Music is large and diverse and numbers well over 10,000 items. The Hanson-Dyer Collection of early imprints and music manuscripts is at the core of Rare Music’s holdings of European music. This highly significant collection of works from the 15th century to the early 19th century includes rare French operatic works and British publications, works of the Italian Renaissance, books on music theory and instrumental ‘methods’. Significant purchases in recent years have consolidated these areas into collection strengths. Rare music also includes the archive of French horn virtuoso Barry Tuckwell; the archive of the music press, Editions de l’Oiseau-Lyre (1932-2013), founded by Australian, Louise Hanson-Dyer (1884-1962); and the professional libraries of several clarinettists and flautists. Other strengths include music scores in manuscript by Australian composers from the late colonial period to the present day; Australian printed music; and Australian concert and theatre programs and related ephemera.
Identified gaps and areas for growth include music associated specifically with the French revolution and music of 18th and 19th century Spain and Germany. Collecting in these areas will support subjects taught within the MCM. Early twentieth-century French music holdings (especially of Stravinsky, Satie and Les Six) should also be strengthened (an area complimentary to the Editions de l’Oiseau-Lyre archive). Acquisition of a “teaching set” of single leaves of an early music manuscript in pre-modern notation would support a planned music editing and palaeography subject if taught in coming years.
5.4. Grainger Museum Collection
The Grainger Museum is the only purpose-built autobiographical museum in Australia; its fascinating collection contains not only objects directly related to Percy Grainger's compositional career, such as scores and manuscripts, but also more than 50,000 items, including diaries, ethnographic objects, furniture, decorative arts, photographs, artworks, clothing and correspondence with famous and not-so-famous contemporaries.
Percy Grainger developed a highly eclectic collection, motivated by the desire to interpret and contextualise his creative achievements and cultural environment. Selected items are on display and the majority of the collection is available for research by prior arrangement.
The Grainger Museum Collection is self-contained by definition and only under special circumstances would items be added to the collection by gift or purchase.
6. Authority to dispose of material
Disposal from these collections is rare and would only occur under extraordinary circumstances and on the authority of the Director, Research and Collections